I finished grading the short Russian fiction class last week, and, having used a little new material and more new methods, wanted to write a few things down before I forget them. First, one surprise was the Lyudmila Ulitskaya story “Happy” (Nadya L. Peterson, tr.), which was surprisingly easy to teach, probably because it is… Continue reading Post-Short Russian Fiction 2021
Robert Allen Papinchak’s LARB review of George Saunders’ A Swim in a Pond in the Rain is mostly filled with praise. Among the two objections he notes (the other being Saunders’ tendency to be overly self-deprecating) is what he characterizes as his “bête noire” and the “one persistent objection” he had, in his many years of… Continue reading Intentional Fallacy, Meaning It, and Generous Ways of Reading
Many metaphors for translation seem to imagine it as a kind of travel, a movement with baggage across some national, cultural, linguistic, and/or geographic boundaries, usually from an imagined foreign territory to one’s own home turf. In that foreign territory—so these metaphors often go—one discovered something or was given something, and in translating that something,… Continue reading Translation and Exile
A major feature of the Kin, sometimes rehearsed with surprising results, comes out in the following passage quite vividly. The narrator is describing life with his mother. She didn’t clean the apartment anymore or wipe away the dust. She only worked at her work place. And she was a good, thorough head of the accounting… Continue reading The Personal and the Historical
Janet Malcom’s “Socks” is the latest in the healthy or interminable (depending on your level of interest) debate regarding translations of nineteenth-century Russian fiction into English. The touchstone, yet again, is Anna Karenina, which I wrote about here some time ago on the occasion of a review by Masha Gessen. The primary target of Malcom’s… Continue reading The Bizarre Task of the Translator
New In Paperback Spring 2016 “The Woman in the Window manages to cross numerous boundaries with enviable ease. The result is not just intellectually stimulating, but eminently readable.” —Eliot Borenstein, Russian and Slavic studies, New York University “Provocative and wide-reaching, The Woman in the Window: Commerce, Consensual Fantasy, and the Quest for Masculine Virtue in… Continue reading In Paperback!
I’ll be participating in The University of Rochester’s Reading the Word series this Thursday for the launch of The Man Between. Then to NYU’s Jordan Center on Friday afternoon for a presentation drawn from The Woman in the Window. Here are the details: Event No. 1: Michael Henry Heim was one of the greatest literary… Continue reading In NY later this week (for a man and a woman)
I’m giving a couple of pre-concert talks for the Indianapolis Symphony, which is performing Shostakovich’s 7th Symphony, “Leningrad” on Friday, February 6 (and then again on the 7th in Carmel), under the direction of Krzysztof Urbański. It is such a perfect case of the changing fortunes of a musical work against the backdrop of world… Continue reading Shostakovich’s Symphony No. 7
Masha Gessen’s review of the latest two Anna Karenina translations in the December 24, 2014 Sunday Book Review of the New York Times is a subtle example of what Eliot Weinberger once called the translation police at work. The translation police are those, according to Weinberger, “who write — to take an actual example —… Continue reading The Translation Police arrest Anna Karenina
I’ve just sent a suggested revised version of the short description that will go on all the promotional materials for the book, and here it is: In The Woman in the Window: Commerce, Consensual Fantasy, and the Quest for Masculine Virtue in the Russian Novel, Russell Scott Valentino offers pioneering new insights into the historical… Continue reading The jacket cover, etc.