Art of the Litany

Jergović uses lists often and to great effect. Some are longer than others. I think it is litany rather than catalogue, though I could see someone arguing for the latter. Litany has an effect of prayer or incantation, and these seem more like that to me. It would be strange to focus on their informational… Continue reading Art of the Litany

Ars Prosaica

I’m in the production tunnel now and finding it difficult to comment on my work. This happened to dozens of my students at Iowa when they were in the midst of finishing translation MFA theses and were then expected to write something about them. This required a shift of thinking and approach that they had… Continue reading Ars Prosaica

Translating Syntax

I once listened to a student who had listened to another student as he defended his  keeping to the syntax of the source language (Chinese, if I remember correctly) as a way of defamiliarizing his English text and interfering in the English-language complacency of his readers. I have no particular problem with this idea in… Continue reading Translating Syntax

Translating Place

My author does a lot with names. Here is an example: Like Mehmed-paše, Nemanjina Street was built in the sixteenth century. It had been a road in the neighborhood of the Hadji Balina Mosque, which the people would remember as Čekaluša. But Čekaluša did not get its name from the word čekanje, or waiting, as… Continue reading Translating Place

Olga and Zehra

Rounding page 340 and making good post-holiday progress, I continue to find little gems of passages, like this one in a chapter from Part Five of Kin, which is called in the source Inventarna knjiga, a play on “invention” and “inventories” that I think I can get at by simply calling it Inventories in the… Continue reading Olga and Zehra

On Translating Miljenko Jergović

PEN gave me 500 words or so to write on this topic, which I have now written many thousands of words on in this blog, so I took a slightly different tack, beginning this way: I have been drawn since first becoming a reader to the sense of adventure that the opening pages of a… Continue reading On Translating Miljenko Jergović

The Personal and the Historical

A major feature of the Kin, sometimes rehearsed with surprising results, comes out in the following passage quite vividly. The narrator is describing life with his mother. She didn’t clean the apartment anymore or wipe away the dust. She only worked at her work place. And she was a good, thorough head of the accounting… Continue reading The Personal and the Historical

Editing and Self-editing

I think about the importance of editing often as I’m working. Partly this is because I am also editing other people’s writing as I write and translate. It is easier to separate these activities when the writing is of very different kinds, but sometimes they cross paths, and then I have to be careful that… Continue reading Editing and Self-editing

Uncles and Uncles

I am struggling a bit with the challenge of Turkishisms. There are lots of them in Rod, regionally specific words that derive originally from Turkish and retain something of their Ottoman-era stylistic aura. Sometimes they are referenced explicitly, sometimes they pass by without comment, but any reader of the original work will be aware of… Continue reading Uncles and Uncles