Catalogues, lists, parataxis, and pig spleens

One of the things my author does is list. He lists and lists, stringing objects and observations in long catalogues that are sometimes paratactic (without connecting words), and sometimes filled with and’s and but’s and gradations of these (such as the word “a,” which can suggest and, but, though, and a variety of other linking… Continue reading Catalogues, lists, parataxis, and pig spleens

The Bizarre Task of the Translator

Janet Malcom’s “Socks” is the latest in the healthy or interminable (depending on your level of interest) debate regarding translations of nineteenth-century Russian fiction into English. The touchstone, yet again, is Anna Karenina, which I wrote about here some time ago on the occasion of a review by Masha Gessen. The primary target of Malcom’s… Continue reading The Bizarre Task of the Translator

In Paperback!

New In Paperback Spring 2016 “The Woman in the Window manages to cross numerous boundaries with enviable ease. The result is not just intellectually stimulating, but eminently readable.” —Eliot Borenstein, Russian and Slavic studies, New York University “Provocative and wide-reaching, The Woman in the Window: Commerce, Consensual Fantasy, and the Quest for Masculine Virtue in… Continue reading In Paperback!

Parks on Translators, Royalties, and Glory

Tim Parks’ NYR Daily essay “The Translation Paradox” of March 15, 2016  continues his enlightening series of reviews and commentary on the publication of The Complete Works of Primo Levi. As with his other posts on this topic, Parks demonstrates his thorough familiarity with the works of Levi, the world of contemporary literature, and the… Continue reading Parks on Translators, Royalties, and Glory

Making a Long Book Move

One of the techniques Jergović uses happens at the level of the paragraph and amounts to a kind of clever closure, often of a longish sentence, sometimes more than one, that serves to slow down the pace but also gather up energy as the narrative moves on. It works, I think, a little like a… Continue reading Making a Long Book Move

That Wondrous Paragraph

And, oh my, Miljenko, you have some lovely paragraphs, which I knew already of course, but when I get to write them again in English, I feel them in a way that makes me new: In the winter of 1945, while Vjekoslav Luburić was cooking people alive in the basement of a Skenderija villa, and… Continue reading That Wondrous Paragraph