The Grammar of Animacy and the Grammar of Intimacy

I think my first section is finished. It is Me Bastard, You Bastard, an extension of and enrichment (I sincerely hope) upon an essay David Hamilton published many years ago in The Iowa Review. It was after I read the kernel of that essay aloud to a small group of poets and writers I had… Continue reading The Grammar of Animacy and the Grammar of Intimacy

Thinking with the Wind

Bridging cultural and natural approaches to the world can be a challenge. The interrelations are obvious, but connecting them in writing can sometimes feel arbitrary: from an ecological perspective, after all, everything is connected, so why one might start with one connection over another is as likely to be motivated by personal, rhetorical, or storytelling… Continue reading Thinking with the Wind

Trieste as Cultural Nexus (rather than “nowhere”)

When Jan Morris opens her 2001 Trieste and the Meaning of Nowhere with the phrase, “I cannot always see Trieste in my mind’s eye,” I feel bad for her. When she adds, rhetorically, it seems, “Who can?” I want to object, “Well, I can!” Probably the difference in our perceptions comes from how each of… Continue reading Trieste as Cultural Nexus (rather than “nowhere”)

When Dragons Show Themselves

I finally managed to formulate my thoughts on translation as a practice in a more coherent and systematic fashion. It only took about eighteen years. The first idea came out in a Poroi essay published in 2005 after a conference at the University of Iowa on empathy. It seems to have been viewed 540 times… Continue reading When Dragons Show Themselves

September Light

Very cool to see the places of the plays when I release a new song on SoundCloud, as the algorithms do their work. “September Light” is a new 3-minute piece I released a couple of days ago, inspired by the sharp but fragile, delicate light in the Northern Hemisphere at the end of September, which… Continue reading September Light

Dostoevsky as Problem

My “Loving Russia” was published earlier this summer at The Massachusetts Review, with an epigraph from Susan Sontag’s 2000 New Yorker essay “Loving Russia.” Though the essay’s done and out in the world, it’s still something I’m working on, or maybe working through is the better expression. As part of that on-going work, I presented,… Continue reading Dostoevsky as Problem