Kin in The Harvard Review

This month was earlier slated to be when Archipelago Books released Miljenko Jergović’s Kin in my translation, but that got pushed to the middle of next month. Instead, a short piece, “In Springtime When we Air Out the Graves,” has appeared in this month’s Harvard Review (No. 57), alongside work by Rita Dove, Gregory O’Brien,… Continue reading Kin in The Harvard Review

Post-Short Russian Fiction 2021

I finished grading the short Russian fiction class last week, and, having used a little new material and more new methods, wanted to write a few things down before I forget them. First, one surprise was the Lyudmila Ulitskaya story “Happy” (Nadya L. Peterson, tr.), which was surprisingly easy to teach, probably because it is… Continue reading Post-Short Russian Fiction 2021

Topping 3000 listens

Ba Ren Chi’s music on Jamendo topped three thousand listens a couple of days ago, which makes me happy. This since I first started making it available in October of last year, so about six months overall. It comprises the album Cool 7, a remastered version of Meaner Than That and then the singles Oni… Continue reading Topping 3000 listens

Teaching Russian Short Fiction in Practice

My eight-week online course is now underway, with two meetings and several short assignments under our belts. As the class satisfies a number of requirements in the Arts and Humanities and World Cultures categories, the students come from all over the university and have lots of different backgrounds, career trajectories, skill sets, levels of preparation,… Continue reading Teaching Russian Short Fiction in Practice

Translating Amanda Gorman

Non-translators might not have paid much attention to the recent controversy over the projected translation of U.S. National Youth Poet Laureate Amanda Gorman’s first book of poetry into Dutch, but many of us who translate have been following and discussing it quite a bit. The basic story is that the contracted publisher (Meulenhoff) hired author… Continue reading Translating Amanda Gorman

Teaching Tolstoy’s Master and Man

In the three decades or so that I have been teaching works by Tolstoy, I don’t remember ever teaching the one known in English as “Master and Man.” This could be because it didn’t speak to me when I first read it or because I have consistently felt there were other, more effective works that… Continue reading Teaching Tolstoy’s Master and Man

On Fairytales, Folktales, Wondertales, and… Tales

Vladimir Propp makes clear in his Исторические корни волшебной сказки (Istoricheskie korni volshebnoi skazki) that the subject of his study is indeed the волшебная сказка [volshebnaia skazka] announced in its title. However, in his exposition, he often uses the term сказка [skazka] without any attribute. This term happens to be the word used for “folktale,” “fairy tale,” and simply “tale” in English, which… Continue reading On Fairytales, Folktales, Wondertales, and… Tales

Intentional Fallacy, Meaning It, and Generous Ways of Reading

Robert Allen Papinchak’s LARB review of George Saunders’ A Swim in a Pond in the Rain is mostly filled with praise. Among the two objections he notes (the other being Saunders’ tendency to be overly self-deprecating) is what he characterizes as his “bête noire” and the “one persistent objection” he had, in his many years of… Continue reading Intentional Fallacy, Meaning It, and Generous Ways of Reading

Prelim Praise for Kin

Here, from the Calvert Journal, is one of those pre-release teasers about “books to look forward to in X year” (which, in this case is the year 2021). Matt Janney calls it, appropriately, a “time-travelling, place-hopping epic, […] at once a history of family and an ode to Yugoslavia.” This is, well, a teaser. Of… Continue reading Prelim Praise for Kin